Confronting racism, transcending duality: Black & White is a metaphysical Western, set in modern times and incorporating more than a touch of the East.
A young white man, Igor, adopts as his mother a middle aged black woman, Sylvia, after meeting her in a café, each having come from the nearby cemetery. The deeper he delves into the death of Sylvia’s son, the more embroiled Igor becomes in the activities of Los Angeles criminals, and the more he becomes the focus of a police investigation himself. If this were an old Western movie, the heroes and villains might almost be wearing white and black hats respectively. Then again, the hats could be misleading: Igor’s appetite for polyamorous relationships is not exactly respectable; nor is his willingness to match the brutality of those he seeks to outwit as he immerses himself within a tangled web of deception and violence.
‘He who sees inaction in action, and action in inaction, he is wise among men.’
—Bhagavad Gita IV, 18
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Erol Rashit was born in London. He studied ecology at the University of Liverpool and obtained a PhD from the University of London for research into the effects of environmental fluctuations on species diversity. During a period as a photographic artist, he had several one-man shows, but these generated little in the way of income. Eventually, he resorted to paid employment, qualified as an accountant and for several years held the post of Chief Accountant at Imperial College. Having made enough money to fund his future (modest) requirements, he has withdrawn from the ‘rat race’ in order to concentrate on his main interest: techniques for examining the illusion of ‘the ghost in the machine’ and for tracing consciousness back to its true source.