“Tanelorn,” she repeated. “What’s that?”
Williams rested his arms on the bundles of supplies, thinking about it. “I don’t know, exactly. I reckon it’s just a place someone feels drawn to … even if they don’t know why. A place where the homeless can find a home, maybe.” He looked at the lights in the sky, the Alien Borealis, as Ank called it, and wondered. “But it may be that it’s something else—a kind of Omega Point. A place where all the colors of the spectrum meet, like a prism. And become focused into a single, burning light. Maybe that’s what people mean when they talk about the power and the glory.” He tugged on a rope, releasing a waterfall of pots and pans. “Meh. It’s just something to keep us going.”
“Like a magnifying glass,” she said, ignoring his last statement.
He paused, thinking about it. “Like a magnifying glass,” he agreed. Then he added, “Now, what’ll it be? Beans or beans?”
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Wayne Kyle Spitzer (born July 15, 1966) is an American author and low-budget horror filmmaker from Spokane, Washington (Visit: www.waynekylespitzer.strikingly.com). He is the writer/director of the short horror film, Shadows in the Garden, as well as the author of Flashback, an SF/horror novel published in 1993. Spitzer’s non-genre writing has appeared in subTerrain Magazine: Strong Words for a Polite Nation and Columbia: The Magazine of Northwest History. His recent fiction includes The Ferryman Pentalogy, consisting of Comes a Ferryman, The Tempter and the Taker, The Pierced Veil, Black Hole, White Fountain, and To the End of Ursathrax, as well as The X-Ray Rider Trilogy and a screen adaptation of Algernon Blackwood’s “The Willows.”