Tell us about yourself and how many books you have written.
I am a Canadian ecologist / limnologist and award-winning novelist, short story author and non-fiction writer. I co-edit Europa SF and currently teach writing courses at George Brown College and the University of Toronto. I have coached writers to publication for several decades using my Alien Guidebook Series writing guides. My non-fiction book “Water Is…” by Pixl Press was selected by Margaret Atwood in the New York Times ‘Year in Reading’ and was chosen as the 2017 Summer Read by Water Canada. My thirteenth book published in 2020 by Innana Publications is an eco-novel entitled “A Diary in the Age of Water.”
What is the name of your latest book and what inspired it?
“A Diary in the Age of Water” (Innana Publications, 2020) is essentially a journey of four generations of women who have a unique relationship with water, through a time of extreme change through climate change and water shortage. The book spans over forty years (from the 2020s to the 2060s) and into the far future, mostly through the diary of a limnologist, which is found by a future water-being. During the diarist’s lifetime, all things to do with water are overseen and controlled by the international giant water utility CanadaCorp—with powers to arrest and detain anyone. This is a world in which China owns America and America, in turn, owns Canada.
Part of the story is told through the diary of a limnologist (someone who studies freshwater) who witnesses and suffers through severe water taxes and imposed restrictions, dark intrigue through neighbourhood water betrayals, corporate spying and espionage, and repression of her scientific freedoms. Some people die. Others disappear…
The spark for my novel began with a short story I was invited to write in 2015 about water and politics in Canada. I had long been thinking of potential ironies in Canada’s water-rich heritage. The premise I wanted to explore was the irony of people in a water-rich nation experiencing water scarcity: living under a government-imposed daily water quota of 5 litres as water bottling and utility companies took it all. I named the story “The Way of Water.” It was about a young woman (Hilda) in near-future Toronto who has run out of water credits for the public wTap; by this time houses no longer have potable water and their water taps have been cemented shut; the only way to get water is through the public wTaps—at great cost. She’s standing two metres from water—in a line of people waiting to use the tap—and dying of thirst.
“The Way of Water” captures a vision that explores the nuances of corporate and government corruption and deceit together with global resource warfare. In this near-future, Canada is mined of all its water by thirsty Chinese and US multinationals—leaving nothing for the Canadians. Rain has not fallen on Canadian soil in years due to advances in geoengineering and weather manipulation that prevent rain clouds from going anywhere north of the Canada-US border. If you’re wondering if this is possible, it’s already happening in China and surrounding countries.
I had a lot of material; I had already been researching water issues and climate change in my activism as a science writer and reporter. I had recently published “Water Is… The Meaning of Water”, essentially a biography of water, written from the perspective of mother, environmentalist and scientist. I had practiced as a limnologist for over twenty-five years and could mine my various personal experiences in the field, lab and office with genuine realism.
Just as “Water Is…” served as a watershed for all my relevant experiences as mother, environmentalist and scientist, “A Diary in the Age of Water” would galvanize many of my personal experiences, doubts, challenges and victories into compelling story. Although parts of the story wrote themselves, the entire book was not easy to write. There were times when I had to walk away from the book to gain some perspective—and optimism—before continuing. When I found myself drowning in Lynna’s voice, I invoked Hilde’s to guide me to shore. I found a balance that worked and compelled. Ultimately this opened to some of the best internal conflict and tension I have experienced in my writing.
“Evoking Ursula LeGuin’s unflinching humane and moral authority, Nina Munteanu takes us into the lives of four generations of women and their battles against a global giant that controls and manipulates Earth’s water.” — LYNN HUTCHINSON LEE, multimedia artist, author, and playwright
“A book of genuine power, A Diary in the Age of Water, is simply and beautifully told.” — LUCIA MONICA GOREA, author of Journey Through My Soul
“A Diary in the Age of Water is an insightful novel… a cautionary tale rummaging through the forgotten drawers of time in the lives of four generations.” —DRAGONFLY.ECO
“Lyrical and dystopian, ‘A Diary in the Age of Water’ is as much an ode to water as it is a cautionary tale about the dire implications of climate change.” —FOREWORD CLARION 5-STAR REVIEW
“In poetic prose with sober factual basis, Munteanu transmutes a harrowing dystopia into a transcendentalist origin myth. An original cautionary tale that combines a family drama with an environmental treatise.” —KIRKUS REVIEWS
“An exceptional and thought-provoking dystopian fiction.”—LITERARY TITAN
“The story like water itself fills you, moves you, hypnotizes you, and eventually, totally engulfs you.”—GOODREADS REVIEW
“Thoroughly researched and cleverly executed, A Diary in the Age of Water is a must-read, especially for those who are longing for nature, and touch, while fearing both.”
—CARA MOYNES, Amazon Review
Do you have any unusual writing habits?
Absolutely none… (wink)…
What authors, or books have influenced you?
Several favourite classics influenced my early writing. Works by Thomas Hardy, George Elliot, Tolstoy, Dostoevsky. Then there were the science fiction and dystopian classics like Ray Bradbury, Isaac Asimov, Aldous Huxley, George Orwell, Frank Herbert and later Margaret Atwood then the cli-fi, climate fiction and eco-fiction of Octavia Butler, Jeff Vandermeer, Annie Proulx (Barkskins) and Richard Powers (The Overstory), among so many others. All these and many others have provided a grand tapestry of art, great metaphor and challenging idea.
What are you working on now?
The sequel to “A Diary in the Age of Water”, an eco-thriller that takes place all over Canada, from Halifax to Vancouver and the Arctic Circle. The story covers the Halifax Explosion of 1917, a newly envisioned NAWAPA, and features several ghosts…
What is your best method or website when it comes to promoting your books?
My own sites: www.NinaMunteanu.me; www.NinaMunteanu.ca; www.TheMeaningOfWater.com; “The Alien Next Door;” and my various social media: Facebook, Twitter, Linked-In, Instagram
Do you have any advice for new authors?
Don’t let your impatience to be heard and recognized interfere with the heart and soul of your art. Writing is work. But enjoyable work. If you don’t enjoy it, it’s not for you. You must enjoy it on some level. That doesn’t mean it’s easy. It isn’t. But it is extremely rewarding. It’s like Truth; it isn’t always nice, but it feels right. Write from the heart; if your writing doesn’t scare you a little, you aren’t writing from the heart and readers will feel it. It will seem fake, a shadow of your real story, the one you’re hiding from. Persist. Take courses. Learn the craft. Then write and send your material out. That’s how you learn to be a better writer.
What is the best advice you have ever heard?
Read. Read. Read. Write. Write. Write. Read. Write. Read. Write. Read. Write.
What are you reading now?
Non-fiction: “Gathering Moss” by Robin Wall Kimmerer
Fiction: “Rogue Harvest” by Danita Maslan
What’s next for you as a writer?
Finish my sequel and market my current book around my teaching gigs
If you were going to be stranded on a desert island and allowed to take 3 or 4 books with you what books would you bring?
3 books by Thomas Hardy
Author Websites and Profiles
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