About Daughter of Gold by Janeen O’Kerry
Niamh, a young and beautiful woman of the fields and forests, arrives with her family at the late-summer Lughnasa Fair. She hopes she might find a husband there and meets Bryan, one of the king’s finest men.
But like other young warriors, Bryan is interested in a romance only for the duration of the fair – or, at best, a Fair Marriage lasting just a year.
Then the Lughnasa Fair is disrupted by a malevolent puca, a fey creature resembling a black pony and bent on destruction and revenge. It will fall to Niamh to contend with the puca and help Bryan face it, if he can, before it is too late for all of them.
NOTE: Battlefield violence. Some scenes of encounters between consenting adults over the age of 21. This book was first published by Dorchester in 2004. It has been re-edited by the author and given a new cover, but is the same story as the original novel.
No part of this work was created using artificial intelligence (AI) software of any kind.
Each book in the Celtic Journeys series tells a complete story, so they may be read in any order.
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Author Bio:
Like many who end up being writers, I’ve worked at many different jobs: riding instructor, horse trainer, computer programmer, and medical transcriptionist.
I began my writing career in the early 1980s with articles for several national and regional horse magazines. My friend Hazel wanted to break into writing novels, so together we wrote three: A *Star Trek* novel; a steamy romance; and, finally a sweet romance called *April’s Christmas.*
April got us started when Avalon published that book in 1994. After that I sold my own first novel, the historical romance *Lady of Fire,* to Dorchester Publishing in 1995. That was the start of the ten-volume *Celtic Journeys* series, each of which is a romance set in ancient Ireland and tells a complete story.
Today I am a full-time novelist, ghostwriter, and copy editor, and I never use artificial intelligence (AI) software of any kind when creating my books. I can often be found doing workshops and panels at writers’ events and conventions.