About Internet Killed Rock II
Joe works at the Whisky a Go Go, a temple of Hollywood nightlife. Samantha is a riot grrrl and with her band decides to challenge society’s prejudices. Shou is willing to spend an entire night under the Tokyo sky to be able to buy a record on the day it comes out on Tower Records. Five years after the Internet killed rock, another eleven narrative microcosms, interspersed with as many informative moments, show two opposite ways of conceiving music: its rapid consumption on streaming services, with software capable of falsifying data and rankings climbed by algorithms, and slow listening on physical media, with which a bond is created that can change the course of existence. Whether alone in your room or together at a concert, rock tends to maintain an essential physical component. But how many, in the era of everything and now, will be willing to give up the free comforts of the web in order to save this extraordinary musical genre?
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Author Bio:
Giancarlo Caracciolo (Taranto, 22 June 1987) is a writer, HR (Employee Experience and engagement analyst) and union manager in Teleperformance Italia. In 2006 he began to devote himself to writing on numerous web portals on heterogeneous themes such as music, publishing, cinema, society, communication, labor policy and subsequently in the professional field. In 2018 he published the debut book “Internet He Killed Rock ” (Les Flâneurs Edizioni). In 2020 he published the book “Simulation Of Muse: beyond reality” (Fides Edizioni). In 2023 he published the book “Internet Killed Rock II” (Les Flâneurs Edizioni), a sequel to the previous chapter. Since 2024 he has been editor of the magazine KIT – Keep In Touch. Convinced of the link between the cultivation of personality through the growth of one’s cultural heritage and the paths that are undertaken in life.
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