About Should Have Taken The Left Turn
Whoever said crime didn’t pay clearly partook in the wrong criminal activities. To be honest, it paid—very fucking well.
I didn’t deal in drugs or guns. I was a herald of prohibited articles. I got certain types of property from A to B, or F if needed. There was no university course for my profession; I got into it over a cocktail, and for fifteen years, I lived a life that would make a mother weep and a billionaire jealous.
Should Have Taken the Left Turn is the account of my escapades across the globe. I was involved with all the usual suspects—sex, booze, double-crosses, and money—and some very unexpected ones, like bearer bonds and government black ops. I gained a reputation with an eclectic clientele, met the most deranged people on the planet, and stayed one step ahead of a lovely Interpol agent who had a persistent hard-on for my career.
I’m not here to apologize. It was my life and my choices, whether they were good or highly questionable. You might hate me by the end of these pages, or you might love me unconditionally. I’ve always been Marmite that way.
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Author Bio:
Noel Ryan grew up in Ireland, a place that provided the foundation for a lifetime of stories, though his curiosity was always focused on the horizon.
At twenty-one, Noel set out on a decades-long journey that spanned three continents. He moved through the same international circles, high-end bars, and transient spaces that define the world of his writing—returning to Ireland for stints between travels, but always drawn back to the pulse of the world’s major hubs. Having spent a lifetime observing the elite from the inside out, Noel writes with the sharp eye of a man who knows exactly what happens behind closed doors when the right price is met.
Should Have Taken the Left Turn is the first installment of an explosive new trilogy following the meteoric rise of its protagonist. Valuing his privacy as much as a well-told secret, Noel now writes from the Mediterranean coast. By keeping his own life out of the frame, he ensures the focus stays entirely on the page, allowing the narrator to lead while he remains the silent observer.