About Yes, Words Die
Discover a bold new vision of tomorrow in Yes, Words Die, an unconnected science fiction anthology that delves into the perilous crossroads of faith, innovation, and humanity’s future. Each story in this collection explores the razor’s edge where technological progress collides with deep-seated beliefs, exposing the dangers, hopes, and moral quandaries that shape our destiny.
From the haunting confessions of a death row inmate wrestling with trauma, faith, and vengeance, to the arrival of parallel-universe visitors offering miraculous technologies—and the chaos that ensues when human greed and suspicion take hold—these tales paint a vivid portrait of a world transformed and threatened by its own inventions. Witness societies fractured by inequality and innovation, where miraculous advances coexist with old wounds, and where the promise of salvation may come at an unimaginable cost.
Through gripping narratives and unforgettable characters, Yes, Words Die asks: What happens when the miracles of science challenge the foundations of belief? Can humanity survive the unintended consequences of its own genius? And in a future shaped by both hope and horror, what does it mean to seek redemption?
Perfect for fans of speculative fiction that confronts the big questions, this anthology offers a riveting, thought-provoking journey into the heart of our possible tomorrows.
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Author Bio:
Marc “Kenzo” Valmé is a Haitian-American writer from Flatbush, Brooklyn, a neighborhood whose noise, color, and relentless rhythm shape the worlds he builds on the page. Storytelling first took hold through music, where he tried to fit novels into sixteen lines and three-minute instrumentals; that same instinct now drives his horror and speculative fiction. Raised at the crossroads of Haitian faith, folklore, and superstition and New York’s fast-paced realism, he writes about the friction between progress and tradition, and the unseen costs of change on ordinary lives. For him, true horror and science fiction live not in monsters or spectacle, but in the quiet, everyday people caught in the blast radius of other people’s choices. When he isn’t writing, Kenzo is usually wandering Brooklyn’s streets, sketching new worlds in his head and searching for the next small moment that might grow into something uncanny.